Maximiliano Rosiles
La Nao
Exhibition
-> Ends Jul 22
Servicio a domicilio
adhesivo contemporary
Exhibition
-> Ends Jun 24
Mooni's takeover at IKAL
Mooni
Exhibition
-> Ends Jun 24
Eva Jospin
Mariane Ibrahim
Exhibition
-> Ends Sep 9
Cuarto Colectivo
Proyecto H
Exhibition
-> Ends in 1 day
Jean Carlo Sandy, Atelier Sandi
KOIK contemporary
Exhibition
-> Ends Jun 13
Impermanencias latentes
Taller Transversal Mx
Exhibition
-> Ends Jun 10
Andrea Martínez
Lateral
Exhibition
-> Ends Jul 8
Matthias Bitzer
Galería RGR
Exhibition
-> Ends Jul 15
Naturaleza, Cuerpo y Construcción
Llano
Exhibition
-> Ends Jul 15
Luis Hampshire
Galería Karen Huber
Exhibition
-> Ends Jul 31
Superficies de Revolución
Galería Karen Huber
Exhibition
-> Ends Jul 31
Charlie Alston
Deli Gallery
Exhibition
-> Ends Jun 24
Alejandra España
CAM Galería
Exhibition
-> Ends Jul 6
Chantal Peñalosa Fong
Proyectos Monclova
Exhibition
-> Ends in 3 days
Déborah Sierra
Biquini Wax
Exhibition
-> Ends Jun 9
Review
Mina Squalli-Houssaïni at Lodos: i’m sorry for bugging you but
by Verana Codina
Reading time
5 min
Following two collective exhibitions, Mina Squalli-Houssaïni presents her first individual show at the gallery Lodos. With just three visits, the Swiss artist has ventured to produce locally all the work on view. This decision, despite seeming to be risky for a tourist who does not know the city’s ropes, ended up benefiting from the highly extensive offerings in materials found in the Historic Center’s streets and markets.
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Review
BAAANG! Hiram Constantino at Proyecto Caimán
by Ramiro Ávila
Reading time
3 min
There are theories affirming that the universe originated after a huge explosion. From one moment to the next, what was nothing became everything.
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Review
Difference and Indifference at the Edges of the Non-Human and the Work of Daniel Pérez Ríos
by Angélica Piedrahita
At the Centro Cultural Plaza Fátima
Reading time
5 min
La Suprema Indiferencia (The Supreme Indifference) follows the aesthetics of rendered spaces: temples of uniform lights, high ceilings, perfect curves, and pleasing geometries that appeal to desire and perfection. Daniel Pérez Ríos creates tensions between positive and negative spaces, extending and activating the real architecture of the room through his own questions about digital spaces, as well as pointing out in each work a series of binary relationships. While applying basic design principles, he eerily defines the borders that divide background and form with monochrome strokes, lines, texts, and spaces. The installation is traversed by “color” and its absence, with questions about the human and the non-human that allow opposite concepts to subscribe to the space:
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